Tuesday 24 April 2012

Twelfth Night, 1.1






His ship having gone down off the coast of Illyria during a storm the previous night, a sea captain orders the four sailors in the wooden lifeboat to pull hard on their oars one last time, then motions for the young woman seated beside him, Viola by name, to lean back as the boat glides in and lurches to a stop on the sand, the sailors quickly shipping oars, jumping out to haul the boat up from the shallow water and onto the beach.
“What country is this, friends?” Viola inquires, gazing at the lush green woods and tree-covered hills beyond the beach.
“This is Illyria, my lady,” the captain answers and helps her from the boat onto shore.
She broods for a moment, touching a hand to her wet, bedraggled hair. “What am I doing in Illyria when my brother is in heaven?” she asks sadly. She looks down at her sodden clothes, hanging limp and heavy on her delicate frame. “Perhaps through good fortune he was not drowned. What think you?” She turns to the captain, he and his men lugging several trunks from the boat and setting them down on the sand.
“Well, it was through good fortune that you yourself were saved,” he points out as he works.
Viola casts her eyes out to sea. “And so he may have been too,” she muses, gazing at wisps of white cloud that hover over the distant blue horizon.
“True, madam,” the captain agrees. “And to offer you some comfort in that possibility, I can tell you this: after our ship went down, when you and those few others who were saved clung to our boat in the driving wind, I saw your brother, brave in the face of danger, tying himself to a section of the broken mast that was floating on the water, courage and hope spurring him on in his desperation. For as long as he was in sight, I watched him there, battling the waves like the hero of the Greek myth who saved himself by riding on a dolphin’s back.”
Viola takes a coin from a pouch she has tied around her waist, and gives it to the sea captain. “For your encouraging words, here’s gold. My own escape makes me believe he could have been saved as well, and your story encourages me in that hope. Do you know this country Illyria?”
Yes, madam, I know it well, for I was born and raised not three hours’ travel from this very place.”
“Who governs here?”
“A noble duke, both in birth and reputation.”
“What is his name?”
“Orsino.”
“Orsino… I have heard my father speak of him. He was a bachelor then, I believe.”
“And still remains one, or was said to be until very recently. For I left here no more than a month ago, and then it was being rumored—you know how people gossip about their betters—that he sought the love of the fair Olivia.”
“Who is she?”
“A well regarded young woman, the daughter of a count who died some twelve months ago. He left her under the protection of his son, her brother, who died tragically shortly afterward. Because of the dear love she had for him, at least so the rumors have it, she has given up the sight and company of men.”
“Oh, that I could serve such a lady, and keep my plight hidden from the world until I am better prepared to reveal it.”
“That would be hard to do, madam, because she will not grant anyone’s desire to see her, not even the Duke’s.”
She considers for a moment. “You seem a decent man, Captain. And though evil can mask itself within a pleasant-seeming face, yet I feel I’m not deceived by your fair looks and well-meaning manner. I pray you—and I’ll pay you generously for doing so—help me conceal who I am, and assist me in fashioning a disguise that may suit my purpose. I’ll serve this Duke. You can present me as a well-versed young man who could be of valuable service to him in his present circumstance. Whatever may happen I will trust to time, but I ask that you reveal to no one this plan of mine.”
“You be his eunuch, and your mute I will be,” he vows. “If my tongue makes known the truth, let my eyes no longer see.”
“I thank you. Lead on…”
He gives his men the order to move out, points them to a clearing in the trees and, with Viola beside him, leads the way forward….

Wednesday 11 April 2012

Like A Guy On A Jet Ski

     A reader of my previous post, about embracing e-book technology, has pointed me to a book by Nicholas Carr called The Shallows: What The Internet Is Doing To Our Brains. Taking Marshall McLuhan's famous adage that "the medium, rather than its content, is the message" as his starting point, Carr asserts, as McLuhan did, that every new medium changes us in powerful but often hidden ways.
     However, even people who are wary of the Net's ever-expanding influence "rarely allow their concerns to get in the way of their use and enjoyment of the technology...the computer screen bulldozes our doubts with its bounties and conveniences."
     This admonition echoes McLuhan's warning that the effects of technology "do not occur at the level of opinions and concepts, but alter patterns of perception" steadily and without any resistance. "They alter our mental habits," according to Bruce Friedman, who has been writing about computers since the early 2000s, "so that I now have almost totally lost the ability to read and absorb a longish article on the web or in print."
     A university professor Carr interviewed, comments that his thinking has taken on a "staccato" quality. He quickly scans and "skims" online text, his habit to do the same thing when it comes to reading offline text (i.e. books, magazines and newspapers) as well. Another professor writes that she can't get students to read whole books anymore. "They're becoming skimmers. Sitting down and going through a book from cover to cover doesn't make sense to them." Her students apparently feel they can get all the information they need faster through the Web.
     More and more people, Carr points out, are using their browsers for banking, paying bills, making appointments, booking travel and holidays, buying tickets to entertainment events, purchasing personal and household items, sending invitations and announcements, reading and writing e-mails, texts, scanning headlines, blog posts, articles, Twitter feeds; for checking Facebook, watching You Tube and video streams, downloading music, or simply wandering from link to link, sometimes for hours.
     "The Net has become our all-purpose medium," Carr says. "When using it we feel engaged, useful, productive, entertained, and often as though we're getting smarter." The feelings are intoxicating...so much so that they distract us from the Net's deeper "cognitive consequences."
     Indeed, according to Carr, the more people use the World Wide Web, the more they fight to stay focused on longer pieces of writing, to the point that some worry that they're "becoming scatterbrains," Carr himself musing nostalgically that "once I was a scuba diver in the sea of words. Now I zip along the surface like a guy on a Jet Ski."
     For the last five centuries, Carr observes, ever since Gutenberg's printing press made book reading a popular pursuit, the linear, literary mind has been at the center of art, science, and society. As supple as it is subtle, it's been the imaginative mind of the Renaissance, the rational mind of the Enlightenment, the inventive mind of the Industrial Revolution, even the subversive mind of Modernism. "It may," he says, sounding an ominous note, "soon become yesterday's mind."
     A fascinating, thought-provoking and (perhaps for some) frightening book--particularly those of us wondering about the Net's effects on our own mental habits--it's well worth a look. At 220 pages it's not too long, and it's not an e-book!
     I'd write more, but my Jet Ski is waiting...

     The Shallows: What The Internet Is Doing To Our Brains. W.W. Norton & Company, 2010